FINAL PHOTOSHOOT

With most of my major tasks completed, it was time for a final photoshoot. Ly, Medha, Yishan, and I managed to book a slot at Wintsted for three hours. During the shoot, it was quite endearing to see everyone pitching in, helping each other out, and rushing to get our own shots done. Getting to and from Wintsted was quite a feat. Despite taking a cab, we were all crammed into the car with our equipment, and I was worried about my artefacts getting damaged due to the lack of space.

FINAL LOOK AND TWEAKS

Before I began setting up my table for the final presentation, I made some minor adjustments and tweaks to ensure that everything worked smoothly. For "Anatomy of a Play," I created a slot for the servo motor so that I didn't have to rely on tape to secure it, making it more durable. In "Damnation," I secured the cloth material more effectively to prevent it from becoming loose or undone. As for "Three Witches," I had to remake the painting because it stopped working for some reason, and rather than spending time figuring out the issue, I opted to make a new one to save time.

FINAL SET UP

With all the physical deliverables completed, it was time to set up my table. I struggled a bit with putting up the frame, but eventually, with Medha's help, I managed to tie it with fishing strings. I felt like I had too many items on my table, so I tried to organize it as neatly and systematically as possible without cluttering it too much. I'm a bit anxious about the viva presentation because I can't help but wonder if Andreas or Shu Min will mention something about quality over quantity, considering I have a lot of items. I hope they appreciate the concept and effort I've put into it. Overall, I'm not too disappointed with the setup; there will always be room for improvement, but I feel it's a decent presentation for my graduation project.

OVERALL REFLECTION AND A GOODBYE!

As I reflect on completing my school journey, it's surreal to think that this might be my last ever school project if I don't pursue a master's degree. Looking back, working on "Tangible Theatre" for an entire academic year feels like a whirlwind. If you asked me how I ended up here, I don't think I could accurately describe it. One moment, I was considering projects involving personalised narratives and interactive films, and the next, I found myself creating a tangible theater.

In this past year, it feels like I've accomplished a lot yet so little at the same time. Everything seems jumbled in my head. I apologize if my CPJ feels overwhelming or disconnected; that's just how my process was. Some weeks, I felt overwhelmed with tasks, while others, I was tackling entirely new deliverables. My thoughts throughout this project were layered, and I often found myself working on multiple things simultaneously. So, as you go through this process, it might seem scattered or have some loopholes, but eventually, it all comes together (hopefully).

If I could go back and do this project again, I would still choose to pursue "Tangible Theatre." While it may not be commercially oriented or deal with pressing social issues, it's incredibly important to me as both a designer and a person. This project feels more like a passion project than something aimed at securing a job, and I wouldn't have it any other way.

Throughout this journey, I explored areas I wouldn't have otherwise, learned new skills that I may have once shied away from, and discovered things about myself that I never knew I was capable of. As I wrap up this year and graduate, I feel a sense of happiness and satisfaction with what I've created. While I know there's room for improvement, for now, I'm content. Thank you, Tangible Theater, for teaching me everything you have.

As a final note, I want to express my gratitude to my lecturer, Andreas, for his invaluable guidance and support throughout this project. Your feedback and consultations have been incredibly insightful, and I've learned a great deal from you. Thank you for your patience and encouragement every step of the way.

I also want to extend my appreciation to my friends, whose contributions have been integral to the success of my project. From late-night work sessions to conducting mock roundtables, we've been through it all together. I'm immensely grateful for the friendships I've formed along the way. I've always looked forward to going to the studio, not just because of the work, but because I genuinely enjoyed spending time with my friends there. I'll miss our studio sessions together! Thank you for making Year 3 such a memorable and enjoyable experience.