MORE LIGHT & SHADOW EXPERIMENTS

Continuing my exploration of lights and shadows, I took Kyuh's suggestions into consideration and focused on experimenting with various materials. I had fun playing around with acrylic sheets, mirrors, and cellophane paper, with no specific end goal in mind. My main objective was to see how different materials could generate diverse shadows and reflections.

I paid close attention to movement during this experimentation phase. With the help of Kou, I observed how different movements affected the shadows, leading to interesting visual outcomes. I realised that perspective played a significant role in altering the appearance of shadows, sparking ideas for further investigation. Additionally, I found the kinetic movement of light itself is intriguing. Watching as light sources moved independently to create shadows highlighted the dynamic nature of this medium.

As I combined movement and perspective, I noticed significant variations in the results, with shadows changing in size and clarity.

MATERIALITY

In this experiment, materiality played a significant role in shaping the outcomes. For instance, a wooden scale model combined with a cut acrylic sheet allowed me to observe how the shadow interacted with the wall, providing insight into whether the contrasting materials influenced the shadow's appearance.

Another example involved experimenting with a blue cellophane sheet. Here, deliberate efforts were made to align the position of the light with the sheet. Depending on whether the light was placed above or below the sheet, the results varied significantly.

Among all the experiments, my favourite ones involved working with mirrors. Initially struggling to achieve the desired outcomes, I had envisioned bouncing light from mirror to mirror to create a reflection akin to those seen in trial room mirrors. However, despite initial setbacks, a shift in approach proved fruitful. By adjusting the positions of the mirrors and fixing the light to a specific spot, I managed to obtain some promising results. These results hold promise for inclusion in my final artefact.

CONSULTATION

I shared my recent progress with Andreas, and he found them intriguing, encouraging me to keep exploring them further. He emphasised the importance of focusing on narrative development, expressing concern that leaving conceptualisation for later might result in an afterthought vibe. Additionally, Andreas noted that my work was evolving into a multi-sensory experience due to the variety of interactions involved. He suggested fully embracing this approach and expanding it to incorporate sound, body movement, and kinetic elements to create a complete sensory experience. While this prospect seemed daunting initially, I'm eager to give it a try and see where it leads.

ROUNDTABLE

I attended a roundtable discussion this week, I was bit nervous for it, as it had been quite some time since I last consulted with them. However, to my relief, the session didn't turn out as daunting as I had anticipated.

I'd like to believe both yasser and Vikas were somewhat pleased with my project. Yasser pointed out how my project seamlessly integrates elements of theatre, reassuring me that the connection between the two is apparent. He encouraged me to engage with theatre lecturers for additional insights and perspectives. Additionally, he urged me to consider how my scaled-down prototypes would translate into larger-scale implementations.

Vikas, on the other hand, injected some humour into the conversation with his amusing references, likening one experiment to the old Batman introduction. However, he also offered some thought-provoking insights, noting that some aspects of my work reminded him of projects typically undertaken by architecture and interior design students. He emphasised the importance of clearly distinguishing my work from theirs. Moreover, his distinction between my project as a new configuration of theatre rather than a wholly new form resonated with me.

REFLECTION

Looking back on this week, I feel it was quite productive. I managed to accomplish several tasks I had set out to do. The light and shadow experiments exceeded my expectations, and I gained valuable insights into manipulating light with various textures. I realized that incorporating movement adds a dynamic element to the project. Currently, all movement is done by hand, but I believe it would be more engaging if it were kinetic or automated using different input sources.

Regarding the roundtable discussion, I found it beneficial to receive feedback from individuals who hadn't seen my project before. They provided valuable insights, particularly highlighting the theatrical elements throughout my work. Moving forward, I aim to focus on enhancing these theatrical elements, as well as considering size and dimensions for future developments.